I hesitate to make voicing suggestions from afar, but I have had similar problems with Abel hammers. If the piano jumps from pp to mf with little in between and the piano sounds open and is not breaking up at ff levels then that suggests to me that the outer layers of felt in the 10-11:30 and 12:30 - 2:00 range need some needling to about 4-5 mm tapering down as you approach the crown. Abel hammers sometimes benefit from a couple of deeper stitches parallel to the molding in the 11:30 and 12:30 area also. But I make these suggestions with some reluctance because I don't know if I would interpret what I would be hearing the same as you. I can say that in my experience, you have to work a little harder to get those hammers to open up at various levels. David Love ----- Original Message ----- From: "Stéphane Collin" <collin.s@skynet.be> To: "Pianotech" <pianotech@ptg.org> Sent: November 01, 2002 1:21 PM Subject: Re: action ratios Hi David. I use Abel hammers (no underfelt, referred to as Bechstein model, quite hard). I do much low shoulders deep needling to open up the tone and avoid distorsions at forte level. Then I even out volumes at different dynamics, and end up with very light blow colour evening (with sugar coating). I always get the sound good (enough for me), but I always end up with something musically difficult to control. I ended up thinking this is a specific Bechstein desing problem, as the Steinways I restored never rose this problem. I am probably wrong, am I not ? I try to achieve 10 mm key dip, and 47 mm blow distance. Following my experience, needling more than what I do would result in loss of power at forte playing, and reduction of colour shades (which again seem to be more easily achieved in Steinway pianos). Any further idea ? Thanks for spending time. Stéphane Collin. ----- Original Message ----- From: "David Love" <davidlovepianos@earthlink.net> To: "Pianotech" <pianotech@ptg.org> Sent: Friday, November 01, 2002 9:11 PM Subject: Re: action ratios | My first reaction is to say that I would look at it as a voicing problem. | What kind of hammers are you using? | | David Love | | | ----- Original Message ----- | From: "Stéphane Collin" <collin.s@skynet.be> | To: "Pianotech" <pianotech@ptg.org> | Sent: November 01, 2002 11:58 AM | Subject: Re: action ratios | | | Hi Richard, David, Bill, etc. | | I've been following the thread with much interest. | May I ask an innocent but pragmatic question (I think related to this topic) | ? | More than often, I encounter this problem when rebuilding Bechstein pianos : | I get the sound right, I get the touch feel ok, but the whole instrument | always happens to be difficult to control, as the dynamic output switches | too quickly from PP to mF (I mean : the dynamic shades are not progressive | enough. Very soft playing is fantastic, very loud also, but progressively | crossing from soft to loud happens to be difficult to control, as sound gets | loud too quickly, which is musically not desirable at all). | How would you all cure this problem ? | | Thanks to all for great expertise. | | Stéphane Collin. | | | _______________________________________________ | pianotech list info: https://www.moypiano.com/resources/#archives | | | _______________________________________________ | pianotech list info: https://www.moypiano.com/resources/#archives | _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives
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