> >If I had to take my choice between rescaling and moving the bass bridge on >this scale, I'd move the bridge every time. No matter what waveforms you >have in the strings, if you tie the soundboard down and don't let it move >you won't get much sound out of the piano. > >Del Hi Mike, I can only echo what Del has pointed out. However there is a partial solution. Order your strings un terminated, or get the string maker to make German loops for you, with a double loop for the hitch pin. We don't see too many Mason's in this area, so I'm no expert. But I noticed the A, I had for a stringing class in Atlanta, had a swept bridge line. Evening up the bi chord lengths by notching the bridge will also help. The lowest strings would have had the back winding within 15-20mm of the rear bridge pin. I have done a couple of small pianos where the bridge was too close to the rim, and terminated the strings with German loops. It in essence, gains you 35-40mm of back scale. The traditional back winding when it comes close to the bridge, is like a piece of rebar, clamping the bridge. Just an idea to throw into the mix. Regards Roger
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