I think the topic is straying from the question with tuning style. Bloom would be the 'harmonic wash' precipitated from a note, the expansion of the sound from a strong presence of partials produced by the hammer striking the string. A board with short sustain would not have a bloom, just decay. A resilient hammer is needed as well. Bloom can be heard on one note, not necessarily a chord resounding in intervallic structures. I haven't heard an Asian piano develop bloom, that whole round tone lifting as it is sustained; they have a more narrow, piercing tone. Regards, Jon Page At 05:23 PM 3/18/2002 -0800, you wrote: >Well I agree with your humble opinion. What I am finding is that the trend >seems to favor the melodic intonation over the harmonic as of late. The >bloom we are talking about, and I think I agree with Joe on this, derives >from a more harmonically based style of tuning and a tighter alignment of >the partials.
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