Robert Wendell 2002 "Lite" (Victorian) WT C = +4.88 B = -1.0 A# = +3.9 A = 0.0 G# = +1.95 G = +3.9 F# = 0.0 F = +4.88 E = -1.0 D# = +2.93 D = +1.95 C# = +0.98 Only been using this a short time now. Several clients who were accustomed to the Moore Representative Victorian had glowing praise for "the best tuning ever" when I switched to Wendell 2002 "Lite" - oh, and I didn't tell them. Now, this is a 'post - modern' temperament in the sense it doesn't have a real obvious aural bearing plan. But the outcome has a lot of the aural qualities of an aural - instinct b.p. Bob Wendell has an underlying rational plan behind how the tempering of the fifths is distributed, and to my ear the aural quality of this temperament derives from the seed of harmoniousness in that plan. Oh, did I say I like this temperament? Paul Bailey, Modesto CA C = +4.88 B = -1.0 A# = +3.9 A = 0.0 G# = +1.95 G = +3.9 F# = 0.0 F = +4.88 E = -1.0 D# = +2.93 D = +1.95 C# = +0.98
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