> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ---------------------- multipart/alternative attachment Stephane, Be sure the hammers are as smooth as you can get them! Use progressively finer grades of sandpaper until you get them very smooth! Gang filing with large sheets of sandpaper work best. Virgil Smith made a fine presentation on this in Kansas City a few years ago. The tone will sparkle without bein= g harsh. Of course, overly hard hammers may require some needling, but smoothness is absolutely essential to beautiful tone. --=20 Ray T. Bentley, RPT Alton, IL ray@bentley.net www.ray.bentley.net The difficult, I do right away. The impossible takes a little longer. From: St=E9phane Collin <collin.s@skynet.be> Reply-To: pianotech@ptg.org Date: Wed, 30 Jan 2002 13:24:59 +0100 To: <pianotech@ptg.org> Hello. When I do the voicing of a piano, I am often confronted with this problem : how can I reduce the agressivity of the attack, without loosing the beautiful overtones in the body of the sound ? When dealing with a set of hammers that sound agressive in a particular piano and trying to cure the agressiveness, I always end up with a mellow sound and substancial loss of power. While some times, I have pianos that are and clear, and powerful, yet not agressive. Any ideas ? Thank you. St=E9phane Collin (Brussels, Belgium) ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/23/1d/53/81/attachment.htm ---------------------- multipart/alternative attachment--
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