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No, it's not the bridge. I've spent a good deal of time reconstituting =
it (as it were), repinned, renotched, bearing reset, secured, etc.. =
Without twisting the strings, they sound totally dead, when the strings =
are twisted they do come up and have quite a decent sound. Other =
strings I've used don't require it and sound good straight on. A bit =
of a mystery to me.
David Love
----- Original Message -----=20
From: Wimblees@AOL.COM=20
To: pianotech@ptg.org=20
Sent: January 29, 2002 9:30 AM
Subject: Re: Twisting bass strings
In a message dated 1/29/02 10:11:16 AM Central Standard Time, =
davidlovepianos@earthlink.net writes:=20
Wim:=20
Let me be more specific. The sets of Sanderson strings that I have =
used seem to require no twisting (in fact they don't suggest doing it). =
A set of GC strings I put on recently required two full twists in the =
tenor (tenor bridge) before coming to life. Why is that? Does that say =
anything as to the method of wrapping the string? =20
David Love=20
I don't know what GC string are, but I wonder, with you having to =
twist only the tenor bridge strings to get them to come to life, I =
wonder if it might be the bridge. Again, let's look at the lost energy =
thing. I wonder if by putting the extra twists in the strings, you are =
also adding more sideways and downward pressure on the bridge. If the =
bridge is loose, then perhaps that added pressure is enough to tighten =
the bridge on the soundboard, reducing the energy lost between them. =
Just guessing. :)=20
Wim=20
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