Jason, Do you want HT's with offsets for an SAT type of tuning? If so, I have a site that a DMA student here did for his dissertation that has more offsets than you could ever hope for. In case this is what you want, here's the URL: http://www.millersrus.com/avery Avery At 10:44 AM 02/25/02 -0800, you wrote: >List, this is a call for more HT data. I would particularly like responses >from those of you who practice HT or modified ET in your work -- Ed Foote, >Jim Coleman Sr., Paul Bailey, others. > >I am studying the HTs and modern departures from ET and have been creating >graphs to enable the viewer to "see" what each of the temperaments sounds >like and compare the HTs at a glance. It promises to turn into a very >interesting PDF document, which I will make available on the web. It should >also be a great boon to the ongoing dialog about this subject. > >I have found that all the HTs can be mathematically arranged in a kind of >"spectrum". >At one end you have the temperaments with the greatest number of purest >thirds and fifths, at the expense of sacrificing playability of several of >the keys. >At the other end you have pure ET, in which there are the greatest number of >playable keys at the expense of the purity of all the thirds and fifths. > >I need additional data that is not in the TuneLab set of temperament files. >I am not currently blessed with a Jorgensen book. For example, Ed Foote >recently has mentioned "reverse well", and I don't have it. There must be >others that are significant and missing from my data. > >The sequence is approximately like this: > >MAXIMUM NUMBER OF SLOW/JUST THIRDS; MAXIMUM SACRIFICE OF SOME KEYS >John Holden 1 5th syntonic >Gottfried Keller 1 5th ditonic >Gioseffo Zarlino 2 7th >Christiaan Huygens 31 >Aron's 1/4 Syntonic Comma Meantone - equal beating >17th Century Meantone >1799 Meantone >1797 Meantone >Improved Wm Hawkes meantone >Alexander Metcalf Fisher >Equal Beating Prinz Well >Werckmeister III >Stanhope 1-3 Comma >Stanhope Equal Beating >Vallotti-Young well >Kirnberger III >Anton Bemetzrieder Pythagorean >Vallotti Well (1750) >Early 18th Century Well >A Merrick Q-E >14th Century Pythagorean >Kellner Wohltemperirt/Bach >Paul Bailey Well 2002 >Ellis Tuner Well 2 >Bremmer EBVT >Ellis Tuner Well 4 >Coleman Balanced 16 >Coleman 16 >Thomas Young #1 >Rep 18th cent well >Coleman 11 >Jean-Baptiste Romieu 1/7 Comma Meantone of 1755 >Peter Prelleur well >Jean Jousse well >Equal-beating JJ Rousseau >Tuner's Guide well 1 >Rep Victorian well >Henricus Grammateus Pythagorean >Charles E Moscow Pythagorean >Neidhardt-MarpurgDeMorganPythag >George Frederick Handel Well >Augustus De Morgan unequal >Coleman 4 >Equal beating J.Preston Well >Viennese Q-E [from here down, the temperaments are so similar >Ellis Tuner 5 Q-E [that I doubt a trained ear could distinguish >Tuner's Guide well 3 [between them.] >Tuner's Guide well 2 >Alexander John Ellis 1875 Q-E >Tuner's Guide Marsh Q-E >Tuner's Guide Becket Q-E >Jean Jousse Q-E >Howard Willet Pyle Q-E >FACTORY TUNERS 1840 Q-E >Alexander John Ellis 1885 Q-E >Equal Temperament >NO SLOW (JUST) THIRDS OR FIFTHS; MINIMUM SACRIFICE IN ANY KEY > >The TuneLab set that I have not yet incorporated includes the following; >e.g. I HAVE the following data but have not yet analyzed it: >Jean-Le Rond Dalembert >Johann C Gottlieb Graupner Q-E >Johann George Neidhardt Pythag >Johann Nepomuk Hummel Q-E >Johann Philipp Kimberger well >John Marsh 4 25th syntonic >Mark Wicks Q-E >Pietro Aaron quarter syntonic >ROBERT SMITH 50 >Theoretical ChasEarl Stanhope >Theoretical JJ Rousseau >Theoretical JohnPreston well >Theoretical Prinz well >Francesco AntonioVallotti well > >Thanks in advance > >|| ||| || ||| || ||| || ||| || ||| || ||| || ||| || ||| >jason kanter * piano tuning * piano teaching >bellevue, wa * 425 562 4127 * cell 425 831 1561 >orcas island * 360 376 2799 >|| ||| || ||| || ||| || ||| || ||| || ||| || ||| || ||| >
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