The offsets are in the chart I sent you, Bill. Here they are: EB 18thc WT C 7.76 C# -2.02 D 1.56 D# 1.89 E -0.67 F 5.80 F# -3.97 G 4.85 G# -0.07 A 0.00 A# 3.84 B -1.80 You'd need to subtract 1.43 from each offset in order to equalize the total tension change on a given piano. .......... . jason kanter . jason.kanter@wamu.net . jkanter@rollingball.com . vp/manager . learning & performance development . consumer loan servicing . washington mutual bank . office 206 490 6708 . cell 425 830 1561 ............................... ----- Original Message ----- From: <SidewaysWell1713@aol.com> To: <pianotech@ptg.org> Sent: Sunday, December 29, 2002 8:27 PM Subject: Thanks to Jason Kanter | Thanks to Jason Kanter... | | ...for his gracious and gratuitous work with my most recent temperament idea. | Now, since the results find themselves right in between the Young and the | Vallotti-Young (perhaps a little closer to the latter), how about someone | coming up with the all powerful *Correction Figures* which everyone always | wants to know. This time however, not so that anyone might use them, (why | not just do one of the ones out of the book?) but to compare all three | numerically and perhaps graphically. | | The whole idea is to have a *practical* way to tune this kind of temperament | which anyone can learn to do with as much accuracy and consistency as | electronic tuning provides. Let's prove it works in more ways than one. | | Happy New Year! | | Bill Bremmer RPT | Madison, Wisconsin | <A HREF="http://www.billbremmer.com/">Click here: -=w w w . b i l l b r e m m e r . c o m =-</A> |
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