To Technicians Down Under I am delighted to be in communication with technicians around the world regarding the benefits or limitations of the duplex scale. I am continually learning about this subject, the more I study it myself, and hear of others who are actually practicing tuning of duplex scales, the number of which has increased greatly along with the number of manufacturers who are designing improved dulplex scales. Your communication seems to suggest that Steinway was wrong and all the manufacturers who adopted this feature are wrong, and that our experiments are wrong, and that you can provide reasons that corroborate your opinion. I will anxiously revue any data that you can provide proving we've all been wasting our time. I could then devote more of my time to playing golf. ( and I understand there are some great courses in Australia ) While I am waiting for this information may I respond to your communication in the following: Point 1. The effect of one side of a unison around the same hitch pin being affected by the tension of the other. Even though the reaction of one side may be considerably less in the case of a common bichord to a string whose chords connect two sequen tial pitches , I still believe there is some eventual tension adjustment. I base this on my years of chipping pianos in which the phenomenon is readily apparent because the disparity of pitches is much greater than in pianos that have been tuned. Point 2. You note that " I would also add for Dan's benefit that I do not employ Kangaroos, apart from the fact that they have difficulty holding tuning levers, they are dumb. I prefer not to employ idiots" Well, this is very revealing about your choice of students and your choice of employees. It is also junjustifiably denigrating to an ancient class of earthly inhabitants. You say they "have difficulty holding tuning levers" How many kangaroos have you tried to teach? Perhaps they need a different kind of lever. I wouldn;t give up so soon on such an interesting challenge. We do need more tuners. As far as kangaroos being dumb, I am not in a position to dispute your opinion my acquaintance being quite limited. But I must say they they have been hopping around for alot more years than we have been tuning pianos, and I daresay they know at least as much about hopping as many of us, myself included, know about tuning. Point 3. About some manufacturers setting their duplexes to a semitone higher than the corresponding partial, I can only suggest that empirical evidence gathered from a quantity of instruments is more reliable than forming an opinion from a few. If any manufacturer has actually intended to design a duplex scale such as you mention I would be most interested in some thorough research on this point. Hopping to hear from you (oops) Hoping to hear from you further, I remain Duplexdan.
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