Reasons for keys (probably too long)

David M. Porritt dm.porritt@verizon.net
Sun, 04 Nov 2001 08:41:41 -0600


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We've been reading here that composers write music in specific keys
for the "effect" of that key.  The implication is that this is the
only reason they chose a particular key.  However, there are many
practical reasons for a particular key for a piece:

* The vocal range.  The "Star Spangled Banner" has a wide melodic
range.  It can be sung in A-flat, A, or sometimes B-flat, but beyond
that it becomes unsingable at one end of the range or another.
(Actually it's a stretch in any key.)  

* Range for a particular part.  Tenors peak on A# - B-flat.  Much
operatic music is written to have the song's climax on that note.  La
Dona e Mobile is in B because the piece climaxes in the 7th (A#).
Some tenors can indeed consistently reach a B (or more) but not that
many.  However, if a tenor can't nail B-flat day in and day out,
they're unemployed.

* In instrumental writing much music is written in a key to make it
doable on a particular instrument.  It's one thing to write music
that is difficult to play.  It's quite another to write something
that is simply awkward for awkward's sake.  The traditional "Lord's
Prayer" is published in A-flat, B-flat, C, D-flat and E-flat.  Why
those keys?  Because the arpeggios in that piece are easiest to play
in flat keys.  (I once played it for a tenor who was having a bad
day, in D.  Not nearly as easy as it should have been!)

* In instrumental and vocal music there is the matter of the melodic
range.  Transpose the first 8 measures of Clair 'd Lune (D-flat) up
to G-flat and it sounds silly.  Incidentally in this piece the
modulation from D-flat to E is not a "far" modulation.  The E part is
more intense but in a nearer key (4 sharps rather than 5 flats).  The
relationship between the keys is a sub-medient relationship - a very
common and musically satisfying change.

There are lots of reasons why a particular key is chosen, not just
for the "magic" of a key sound.  

dave
_____________________________
David M. Porritt
dporritt@mail.smu.edu
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275
_____________________________


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