>I was beginning to think that I was the only one with my ideas about 'new' >sound versus 'old' sound. No, you're not alone. New sounds better than old to me too, as long as the new and the old are the same thing. >The only thing I regretted was that there was no one saying : yeah..of >course! a new always sounds better! In my case, I didn't want to spend the next three days unraveling all the branch assumptions, exceptions, and speculations that would surely pour in from the sidelines. Nothing personal. Besides, I thought you were doing just fine with both the concepts and our unquestionably silly language (picking not a single nit). >So it's a lot better than yesterday ... but what a fight it was! bass and >middle section are beautiful, as always, but that trouble treble! it's >always the same! Whatever we do... we file, we tune, we regulate, we fit the >hammers, we voice, we know all the tricks. so we make something of it, and >we mask the misery of 20 years 'old age'. Quite normal, but certainly frustrating. When people won't believe anything can be wrong with a hundred year old soundboard, how can you tell them the soundboard is shot in a twenty year old piano... or a five year old one... or a new one fresh from the manufacturer? >My back hurts and I am tired (but then that's our life) and the D is nice, >for some time, but indeed...give me a new one anytime! > >Antares, Give me an old one to rebuild. Just as well have some fun from the process. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC