Andre, Conrad Excellant post and I agree indeed new wood does sound different. According to the 1955 reprint on sound board material in the May issue of the journal the author states that new woods such as soundboard spruce feed off the resin reservoir left in them, the older the wood the less resin.This is not the first time I've heard this. At some point in time a soundboard is at the point of no return or at least for sure diminishing tonal return as the cells degenerate from force, atmosphere and resin depletion. The author also eludes to the subjective experience of the sound board improving with time and that it might have something to do with internal friction. Varifying what other rebuilders posted on this phenomena I must confess that I've heard this many times.(oh no he's gone round the bend). My first sound board years ago was a Gravagne board in an A -3 stwy. Just after it was strung up and stabilized ,myself and several rebuilder associates were no that impressed with the performance. They made comments like oh that's nice, maybe some more voicing. However after bout 3 months of sitting round the shop with only modest playing the tone really started to develop. When the same friends came back to play it they asked me what I had done to get it to improve. Just tuning I replied. I knew what I was hearing but couldn't explain it. I called Nick Gravagne and inquired if he was familiar with this and he said he was but couldn't explain it either. In retrospect I think it has to do more with the internal frictions changing as the panel is under the downbearing force than any voicing or tuning.( probably glue and lacquer curing) My own opinion,subjective as it is,is that playing music and the vibrational effect on internal friction or through the cosmic alignment of wood cell fairies or whatever has something to do with the tonal improvements, But I'm not sure how long the window of improvement is open. I've seen one of my own swy B rebuilds bloom over the course of 5 years and now believe it to be at its peak. With the wood facts in evidence my response to the the person who poses the "it won't be a steinway anymore" is that really it's not a steinway now it's the carcass of a steinway!!!!!!!!.(or whatever brand) ----- Original Message ----- From: "Ron Nossaman" <RNossaman@KSCABLE.com> To: <pianotech@ptg.org> Sent: Sunday, June 03, 2001 8:06 AM Subject: Re: It won't be a Steinway anymore! > >In the end I am really convinced that the wood conditions alter over the > >years : It gets un-supple, it gets tired from the unrelenting strain, it > >dries out, the wood cells change...everything changes, just like in old > >paper for instance. No wonder new wood sounds different. > > > >André Oorebeek > > Me too. Good post, André. > > > Ron N
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