>Here goes, jumping in at the middle again! > >Robin Hufferd wrote: >Had this been the case then even a relatively light pressure upon the >bridge should immediately reduce the loudness of the sound emanating from >the soundboard as it does with the flexing part of the fork and a variable >pressure would introduce variable volumes in the sound. This is plainly not >the case. It is the case, however, that pressure upon the stem and base of >the fork does not eliminate the sound; and this is precisely what occurs >when pressure is applied to the bridge. > > >Just to test the theory, I took out my trusty fork and gave it a listen. >Next, walked over to the big, heavy bench with the big, heavy vise. Clamped >it down good by the "non vibrating" end and struck it again. Hmmmmm...... >very quiet this time. Maybe no matter how tightly you clamp the fork in a >fleshy, nonrigid finger, you can't hear a difference. Yet clamped in a much >more rigid system, there is an obvious difference. In much the same way, a >strung piano soudboard/bridge assembly SEEMS to be rigid, yet allows >periodic motion (tone, as opposed to a hammer rap) to set the structure in >motion. Does it take a lot of energy? Nope, that's why pianos work. > >Ron Koval Ron, Shame on you for presenting insightful and meaningful observations. What can you possibly be thinking? Ron N
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