Well then, the question arises, how would you design a "modern" piano? Hi Stephen, Now that was a logical explanation. I was thinking of something slightly different than what you suggested but now that you bring up squares I have found it rather strange that square soundboards had a "belly rail" that was curved and weak where the hammers passed through to hit the strings on squares. How could they think that such a weak arrangement could produce good tone? Has always been a strangement to me. Now that I have my pants one I am finding it harder to think on these things. :) Be well my friend. Newton
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