This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hey Del, Amen and Amen! Elwood Doss, Jr. -----Original Message----- From: Delwin D Fandrich <pianobuilders@olynet.com> To: pianotech@ptg.org <pianotech@ptg.org> Date: Wednesday, April 25, 2001 1:47 AM Subject: Re: Baldwin's last gasps? =20 =20 =20 ----- Original Message -----=20 From: Wimblees@AOL.COM=20 To: pianotech@ptg.org=20 Sent: April 24, 2001 4:30 PM Subject: Re: Baldwin's last gasps? =20 =20 In a message dated 4/24/01 3:48:30 PM Central Daylight Time,=20 rbrekne@broadpark.no writes:=20 =20 =20 =20 Hey... maybe we all should pool together and put up the = necessary=20 $49.95 and get Del to turn the company around.... what do = ya'll say=20 ?? I can see it now... "PTG techs save One time Piano Giant = from=20 demise ...."=20 =20 =20 =20 =20 =20 I'm afraid it will take a little more than $49.95 to buy = Baldwin. Last year I=20 heard that the company is worth about $33 million. If all PTG = members (about=20 4000 of us). each put up about $8500, we'd have ourselves a = piano company to=20 call our own.=20 =20 Then all we have to do is figure out a way to pay Del.=20 =20 Willem=20 ------------------------------------------------------------------------ = =20 =20 Under the circumstances, I'll take it in cash up front, thank you... = I feel duty bound to point out, of course, that I'm not at all equipped = to function as a company CEO. A piano designer, yes, but I do know my = place. =20 And Willem is right, of course. It will take considerably more than = $49.95 to purchase Baldwin. Even the past 25 plus years of somewhat less = than enlightened management has not managed to wreck that much havoc. =20 Still, much opportunity has been lost and as to whether there is = enough time and enough resources to turn the company around at this = point, only time itself will tell. It the company is able to bring = someone in soon enough to start putting the pieces back together again = -- who knows.=20 =20 Several have mentioned that Baldwin has the capability to build = great pianos. Well, let's just say that they have the potential to build = rather nice pianos when everything goes well. That means they have the = potential to build pianos that are -- with one or two notable exceptions = -- the equal of most anything being built in this country today. But it = won't happen. No matter how hard they work on 'quality.' Because it's no = longer a quality issue. It's a design and manufacturing issue. =20 Baldwin made the decision to transition itself out of the high-end = piano market when it left Cincinnati. Not that there is anything at all = wrong with the workers in Arkansas -- properly trained and supervised = they are quite capable workers. But the company left behind a long-term = and very experienced work force that was used to turning out first rate = instruments at a moderate, but steady and dependable pace, and attempted = -- with a new and inexperienced workforce -- to speed up the production = of a fundamental design that simply does not lend itself well to fast = production. It was like Steinway's experience during the 1970s when it = was owned by CBS: there was a directive to increase production from = something like 2,500 pianos a year to 5,000 per year without adding = appreciably to their facility or their workforce. Couldn't be done = without great damage to the product. Those designs also were not = amenable to rushing, something Steinway's current management seems to = understand quite well and is capitalizing on. =20 Baldwin has five grand piano designs that were intended to be built = relatively slowly by workers who were highly skilled and experienced at = what they were doing. When everything works properly most of these = designs yield pianos that sound and perform as well as any other = similar, traditional design. The problem, of course, is that if anything = goes wrong along the way none of them are going to sound all that great. = Unfortunately, the way they are being built today, things go wrong more = often than they go right.=20 =20 Which is, of course, a complex way of saying that all of Baldwin's = first line of pianos are obsolete. As are most of their vertical = designs. Their 43" (109 cm), or whatever, console piano is a joke. It = was originally designed as a 40" (101.6 cm) scale and stretched to = whatever it is today by adding a 2" (5.1 cm) flange to the bottom of the = plate and whatever to the casework and casters. The 243 Hamilton (what = is it now, 46"?) was originally designed in the 1930s, if memory serves, = and given a superficial redesign in the late 1980s. It should have been = replaced. The 248 is the only relatively new design in their vertical = lineup. Except, of course, for the rather eclectic Model 6000 which is = very much a love it/hate it sort of piano. =20 No one wants to listen to my solution. Which is to start over one by = one with state of the art designs that are planned from the start to be = built using simple, but sturdy tooling operated by semi-skilled to = skilled workers. Designs in which most any task or process can be = learned by any reasonably intelligent worker in just a couple of weeks. = Designs which can be built with precision because they are designed to = be simple. Designs in which there is a sufficient margin of error built = into the materials selection and assembly process so that even if = perfection is not always attained -- and it won't be -- the resulting = instruments are still going to perform up there with the best = instruments of the world.=20 =20 Is this just daydreaming? No. Not really. A lot has been learned = about both piano design and piano building during the last seventy-five = to one hundred years. And it's been about that long since most of these = pianos were designed. We can do much better now. Such designs are now = possible.=20 =20 'But new piano design is problematic and uncertain, isn't it? I = mean...how do you know if it will 'come out all right.' Easy. By = understanding the basics of piano design. How does an architect know = that the building she is designing is going to stand up through the next = earthquake? Through study and experience. It's not rocket science. = (Well, designing buildings for earthquakes might be -- piano design is = not.) =20 'But this would really take a long time, wouldn't it?' The company = doesn't have much time. No, Not really. With a suitable, though not = large, staff, a company committed to the project the whole line could be = done in a couple of years. =20 'But such a program would be extremely expensive, wouldn't it?' = Again, no not really. At least not for a company already in business. At = least it wouldn't have been in Baldwin's case since one of the more = expensive components of a new design is the plate pattern and they were = already investing in quite a bit of pattern work when they switched = foundries. New vertical designs can be incorporated into ongoing = production processes. And air operated rim presses are not all that = complicated or expensive to make. Good grief, if we can make one in our = small workshop surely a company the size of Baldwin can do it as well. = Work tables and assembly fixtures can be modified from stuff already on = hand. Pinblock fitting is still pinblock fitting. Stringing is still = stringing. Except for spacing actions aren't going to change much. Keys = are keys. Well, you get the idea. =20 But none of this is going to happen. This scenario would require a = considerable amount of courage and long-range thinking on the part of = the companies top management. An understanding of things like long-range = product planning and an understanding market trends early enough to deal = with them pro-actively rather than trying to react to them after the = fact. =20 Bob Hoff wrote in the latest Journal that the U.S. manufacturers = could not compete against the imports. I pretty much reject statements = like this out of hand: American piano manufacturers simply chose not to = compete out of -- depending on the company -- a combination of greed, = arrogance, lethargy, fear and ignorance. They had a solid head start, = but instead of reinvesting in their company's future the various = managers allowed their plants to run down and their products to become = obsolete while in other countries other managers were investing heavily = in production equipment and new designs (albeit designs often patterned = closely after old U.S. or European designs). No, we didn't lose an = industry -- we deliberately threw one away. =20 So, there. This seems to have been another of my nights for ranting = and raving. I think I've gotten it out of my system now. At least for a = while. =20 Regards, =20 Del ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/6d/c6/27/5a/attachment.htm ---------------------- multipart/alternative attachment--
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