List, I could not get the action out by just slipping a piece of cardboard in between the pinblock and the action, as it hit the lower part of the hammer and served no purpose. I thought if I put a bend in the board about 2 inches in, once the board cleared the pinblock, it would naturally bend a little bit 'upward' (thinking as if the piano were in a normal position) and allow the hammers to slip 'under' the cardboard, which would guide the hammers out. That didn't work. Even with the bend, the cardboard still hit the hammers at about halfway (9:00 or 3:00) and did not serve as a guide at all. Just before giving up, I slipped the cardboard in with the bend facing to the right (piano on its side) and the bend in the cardboard had enough oomph to it to just force the hammer shanks back to rest position. Voila. If I had to do it again, with just a little more access, one could force the cardboard 'down' with a chopstick voicing tool (or two) through the strings and make it work. I know this explanation leaves a little bit to be desired, but I hope it can help anyone who finds themselves in this frustrating position sometime. Ken Jankura RPT Newburg, PA "Ma'am, if this piano were an automobile, out of fear for their life, you would never, ever let someone you loved drive it." > > List, > >A couple weeks ago I needed to get an action out of a grand. The piano was > >up on its side with a grand piano on either side of it (I could not move the > >piano out from in between), maybe 3" clearance, just enough room to get my > >hand and an inspection mirror between to ascertain that all the hammers were > >resting against the strings. I could kind of poke a thin blade in and move a > >hammer down to rest position only to watch it (via mirror) rise again to > >come to rest against the strings. How did I get the action out, with no > >broken hammer shanks? > >Ken Jankura RPT > >Newburg, PA > > > > >
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