Hi Charles. Someone already addressed your last question about threads. I agree with it. Regarding which method to use - this is what I do (and I am incorporating info I just learned yesterday on this list!): 1) Talk to client about new block - but on junky old upright that they do not want to invest money in, we drop that option quickly. 2) Replace piano - not necessary just because you have a few loose pins, but may be the straw that can break the camel's back (think positively - maybe you can use the pin problem along with the other 8,972 things wrong with the piano to talk the owner into getting a decent piano). 3) Larger tuning pins or shimming with sandpaper - in my book either one has same effect. I like 120 grit sandpaper because it is easier to carry than tuning pins and I like the feel it gives with the hammer - never a jumpy pin - I think you can have that once in a while with a bigger pin if the hole is glazed/polished by the old pin. Only do this is you think the block is in good condition (not cracked or delaminated) and when there are only a few loose pins and the others are decently tight enough to last for a decade. I favor the sandpaper shim when there are only a few loose pins (on a good block) - absolutely reliable and predictable and neat and feels great. 4) Doping the block with tightening liquid - the only "doping" I do is with thin CA glue. I have had mixed results with it, although mostly positive - but not always. I like what Bill Bremmer suggested about taking out the pin and coating hole with thick CA - great to do when you don't have too many loose pins in a cracked/delaminated block. Maybe the Bill Bremmer method is best when there are just a few loose pins, but the integrity of the block is suspect. The thin CA method is great when many/most/all the pins are getting loose. I think many techs use the thin CA on just one or two pins, but I would be concerned about reliability and longevity - you really should take the action out - and then you need to let it dry good - sandpaper shimming is quick, easy, predictable, and results are immediate and long-lasting. Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Charles Neuman" <cneuman@phy.duke.edu> To: <pianotech@ptg.org> Sent: Friday, April 13, 2001 10:01 AM Subject: Re: Bummer Old Upright and loose tuning pins > Hi Terry and list, > > I'm curious what thought process you go through when you encounter loose > pins. I assume you brought up the subject of a new pin block to the > customer, and then told the customer that the repair would probably be > worth more than the piano. So then you have several options: larger tuning > pins, driving pins in further if possible, shimming, and doping the block > with tightening liquid. I found all these mentioned in Reblitz. How do you > decide which option to use? > > I also have a question about driving the pin further in. I think of the > pin like a screw in a threaded hole. My initial reaction to the idea of > driving it in futher is that it would strip all the threads. Help me out > here. > > Thanks, > > Charles Neuman > PTG Associate > Plainview, NY > >
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