Hi Dan,
I hope this works this time.
At 11:49 PM 20/11/00 -0600, you wrote:
>
>> The softer the hammer, the less pronounced the higher partials...so,
>>tuning irregularties show up less in a unison with a softer hammer. There is
>>a 'wider' acceptance of what is perceived as 'in tune'.
>>
>>
>>Dan Reed
>
>Hi Dan,
> It is just the opposite, bright hammer mostly fundamental, and
>low harmonic development
>
>An example of A4/A5 before and after voicing.
>
>Note A4 Partial Sec sustain Vol units Sec sustain Vol units
> 1 4.46 11.26 4.46
15.36
> 2 4.04 4.26 4.32
13.28
> 3 4.32 4.60 4.46
9.03
> 4 2.51 1.76 4.04
3.90
> 5 3.48 2.33 3.90
5.71
> 6 3.76 1.95 3.62
4.89
> 7 2.65 1.84 3.90
2.01
>
>Note A5 1 2.23 3.32 2.23
10.28
> 2 1.76 0.84 1.86
4.67
> 3 1.02 0.71 1.95
4.22
> 4 1.30 0.86 1.30
3.78
> 5 0.56 0.15 0.30
4.46
>
>The above is from a new set of C3 hammers On the left very bright. Right is
>after initial steam voicing.
>The firgures were improved further after finish voicing.
>
>Note the ratio of the amplitude with the octave.
>
>Hope this helps.
>Roger
>Roger Jolly
>Saskatoon, Canada.
>306-665-0213
>Fax 652-0505
>
Roger Jolly
Saskatoon, Canada.
306-665-0213
Fax 652-0505
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