1/23" letoff is good for only on performance and only one. Regulating to that tight a tolerance exceeds the stability of the wood and felts parts of the action. If you do indeed get ANY blockage when rise the hammer to the string slowly the let off is too close. 1/16" is the design parameter and the function parameter. The drop screw and the letoff button must be touched by their parts at the same instant, that will define your drop. The purpose of checking is to hold the hammer up so a repetition can be done even after a hard blow. If the regulation is done as above and the pinning is correct at hammer and rep lever centers (as Dan mentioned), the angle of the Backchecks is about 68 degrees, the radius of the tail curve is about 3" and the wood is not polished then checking should occur. If there is any blockage at all you loose a lot of power and inertia and return speed that checking will be compromised. If you have a ridged enough hammer line representative on the bench you will likely get closer in the box performance than you will without one. Bear in mind that the bench does not have the same shape as the keybed and difference can show up as regulation problems. You after touch figure is a bit confusing. After touch is defined as the movement of the key from the time the jack looses contact with the knuckle and the key comes to a stop. This movement provides a safety factor for the jack to clear the knuckle entirely as the knuckle comes down for the hammer to check. If the knuckle just barely touches the knuckle you will loose checking ability instantly. The best measurement for after touch is about .045" +/- .005" adjusted to the jack just finishes it's rub on the knuckle. Hammer height should be adjusted so after touch, dip and hammer height provide the best compromises to factory specifications. You key dip of .450" is a bit deep. Start with a dip of .390" (10 mm) and change it -.010" or +.020". Having dip exceed .410" is ergonomically and anatomically "challenging". This means the pianist, especially those with smaller hands, is being placed at muscular risk of damage. Deeper dip can produce a bit more power but the price for that gain is too high except for strong performance level pianists. Whatever regulation you do on the bench must be carefully rechecked in, at and on the piano because tolerances just cannot be that accurately maintained. I do all my grand regulations at the piano and use the bench for replacing parts and rough regulation. Hope this is helpful. Newton
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