I have also found the Rippen piano to be remarkably stable. We had one for several years as our personal piano. It was in our house when it burned. The piano was relatively undamaged except for the steam from the water used to put out the fire and its exposure to the elements. The firemen chose a spot just beside the piano to break a hole through the wall to gain access to the house. This was in January (the night before my birthday!) in Portland, Oregon in the middle of one of Portland's infamous ice storms. It was about a week before we could get the piano moved out of the totaled house. Once it warmed up, the piano was back very close to pitch and amazingly close to being in tune with itself. To really appreciate this, you should know that this was a piano I had restrung a couple of years earlier. I had intended only to put on a set of rescaled bass strings but when about half way through the process of dropping tension on the bass strings in preparation to removing them, the lower tenor strings -- which were bi-chord wrapped unisons -- started to break. The plate had warped that much! I ended up dropping tension throughout the piano at lightning speed and then went ahead and rescaled the entire piano. The results were quite satisfactory to me at the time although I don't know what I would think about the overall sound now. This was in the mid 1970s and my tastes in piano tone have changed some since then. Del ----- Original Message ----- From: Kristinn Leifsson <istuner@islandia.is> To: <pianotech@ptg.org> Sent: May 21, 2000 5:02 PM Subject: Rippen stability > Dear list, > > Rippen made a three part laminated soundboard. > > What´s the story on that, and what variations do companies have in that > regard, and through history? > Does it matter much? > > The Rippens I´ve seen have been tremendously stable in the long term. Many > of them eerily close to pitch after 10-15 years. I don´t think that was > because of humidity since other pianos have not been this stable here. > They had some 24 laminations in the pin block. > Might that contribute a lot compared to the soundboard? > > Regards, > > Kristinn Leifsson, > Reykjavík, Iceland >
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