I have tuned for George Winston. He is one of the nicest concert artists I have ever worked with. He is VERY particular about clean unisons so whatever you do make them stable. He always likes the tech to touch up the piano during intermission. He brings his own mutes and lays them out before he leaves the stage to mark the notes he wants done. When I tuned for him, at the end of his program before a full audience he acknowledged "...the outstanding services of the piano technician, Mr. Robert Goodale". Boy, talk about great advertising! Treat him right and you may get the same!! For concerts such as this double the normal rate of your tuning. Note it on your bill as "concert tuning". Add half again as much for going out on stage at intermission since this will also require you to wait around through at least half of the concert. Charge your normal rate for any tuning required for rehearsals before the concert. If any technical work is required, (i.e. voicing or regulation), charge your normal hourly rate. If you are required to tune a warm-up piano in the green room, charge your normal tuning rate. Don't be afraid to take their money. They make tens of thousands of dollars for these gigs and your services are a drop in the bucket to their budget. You are providing them a professional service for a professional performance and they expect these expenses. Dress appropriately. Always approach the artist first thing when they arrive to shake hands and introduce yourself as the piano technician. Ask if they are happy with the instrument and if there is anything you can do for them. Best of luck, have fun! Rob Goodale, RPT Las Vegas, NV "Arlie D. Rauch" wrote: > I will be tuning for a George Winston concert later this month. This > is a new opportunity for me, so I am wondering how to charge for it. > I'm not asking for amount, but rather for formula. He requests a > full tuning that day, then a touch-up before the concert, and another > at intermission. > > Any advice will be much appreciated. > > Arlie
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