MEAN= adj. occupying a middle position ( as in space, order, or time ) Joe Goss ----- Original Message ----- From: Richard Moody <remoody@midstatesd.net> To: piano tech <pianotech@ptg.org> Sent: Wednesday, June 21, 2000 11:44 PM Subject: Re: meantone > > > > Alas....This sort of extension of terminology misses the point about > > meantone. Just as there is only a single temperament that can truly be > > called "equal" there is only a single temperament that should be called > > meantone - i.e. 1/4 comma meantone. The name comes from the placement of > > D in the mean position between C and E i.e. both tone CD and DE are > > identically size intervals. > > Stephen > > Perhaps it should be capitalized. Actually the D just happens to be > the meantone, or the mean of the ratio of the pure third which is the > distinguishing characteristic of 1/4 comma MT. When "meantone" started to > be used would be interesting to know. Mersenne (1638) doesn't use the term. > (unless I missed it). > Why it is called meantone is not really clear. There are several > tunings and temperaments where D is the the meantone of the 3rd C--E. ET > for one, and Pythagorean for another. Of course these thirds are not the > 5/4 or pure third in MT. > In fact whenever E is formed by four successive equal 5ths from C, D > automatically is the mean between C and E. This means the ratios of C--D, > and D--E are equal. The simplest example is Pythagorean where C--D = 9/8 > and D--E = 9/8. When these two ratios are multiplied 81/64 results which > is the ratio of a Pythagorean 3rd, often called the ditone. Now don't ask > me why the 'ditonic comma' is the excess of twelve pure 5ths over the > octave, and not the difference of the ditone (formed by four pure 5ths ) > over the pure third. ---ric > > > >
This PTG archive page provided courtesy of Moy Piano Service, LLC