Thank you Jim, I couldn't have responded better... JIMRPT@AOL.COM wrote: <snip> > Tis true that there are legions of recordings of S&S pianos which are > exemplary examples of what a S&S, well prepared, can sound like....Tis also > just as true that listening to the recordings will not tell you how the > hammmers were prepared or even if they were S&S hammers. Then there is the > matter of which S&S hammer it is? Generic S&S hammer? Renner S&S hammer?, > Abel S&S hammer? NY S&S hammer, etc.? <snip> > To think that S&S hammers are some monolithic entity is to abuse historical > reality and one size 'doesn't' fit all. An S&S hammer of today would feel out > of place next to a S&S hammer of 25, 45, or 100 years ago. For those who > insist on authenticity and feel surfeited because the 'parts' came from S&S, > god bless them....but non the less apropo are those who feel that the > instrument may be well served by "alternative" hammers rather than > "alternative tecniques regarding preparation". <snip> > Yes there is a place for "genuine" S&S hammers in my shop, just not often > when I have the say so and 'almost' never on a piano that I own. S&S hammers > are good quality, but are they the 'best' quality for what you are doing? > This is a question that each of us must answer for ourselves and our customer > and the individual instrument.... My thoughts exactly. Rob Goodale, RPT Las Vegas, NV
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