I couldnt aggree more with you. Nice posting. My experience concurs with your statements. Lets face it.. half way is half way. Sometimes I guess thats all you can convince a customer to go along with, and you are left with a choice.. do it half way.. or walk away... grin.. you all know what I generally do.. Richard Brekne I.C.P.T.G. N.P.T.F. Bergen, Norway "Piesik, John (JPIESIK)" wrote: > Dear List, > > Last month I requested info on CA glue for loose tuning pins. It's only fair > that I report the results, especially to those who thoughtfully responded. > And the results are: it worked, and it didn't work. It appears that, in my > opinion, CA glue can pull you out of a "slippy" situation, sometimes. A > couple of the pins I tried it on were so loose that the CA glue was not > effective. Thus, I muted those strings that wouldn't tune, got my client > through her Christmas party, and recommended that the next step is a > replacement or rebuild. > > Now, following are some comments, my opinions, of course, regarding this > matter: > > When a piano is in need of CA glue on more than a few tuning pins, it's in > need of a lot more than just CA glue. I would not recommed CA gluing or > doping an entire pinblock - I shudder at the thought - although, I know some > folks do, and that's fine for them. I've learned that there are many ways to > skin a cat in this business, but, to me, some cats are best left alone. (In > order to buy a little more time in an emergency, on a few pins at best, > then, CA glue may be the ticket. And, there are other ways to solve a loose > tuning pin problem, too!) But, let's face it, doping an entire pinblock is a > bandaid fix. > > It's a funny thing that in the last month I've encountered two more pianos > (grands) that are not holding tension due to loose pins. I admit I CA glued > two pins on a Yamaha gray-market piano to "buy some more time", but the > other was just too far gone. In these cases, I recommended replacement or > have them rebuilt (preferably with new PBs). It's apparent that I'm running > into increasingly more pianos with "loose pin" troubles (are you?). I don't > think that this is some kind of coincidence, either, and here's why. Many > pianos were sold to/for boomers during the 50s, 60s and 70s. The condition > of these pianos, coming from the historical height of US piano sales, due to > the pianos ages, is now starting to deteriorate (the pianos are now over 30 > years old). I am not a rebuilder, but, I would bet dollars to donuts that > the piano rebuilding business is going to see a flurry of new work in the > very near future - if it hasn't already begun. And piano sales will continue > to increase with even more vigor. (I would someday like to have a shop and > become a rebuilder; it's very rewarding work. And, there are not enough good > rebuilders - there seems to be plenty of room for more. The Aerospace > industry has a similar problem with more talent leaving or retiring and not > enough good talent coming in - but that's a whole other story.) > > Bandaids only hold for so long, then they fall off. Doping pinblocks is a > bandaid. Our clients, and thus the piano industry as a whole, in my opinion, > would benefit from either recommending a new piano or a rebuilt piano > instead of applying a bandaid to a piano beginning its dying cough. It's up > to us to gently guide our clients to the right decision. The fact is, all of > us are going to be encountering more and more of these untunable pianos. Do > we squirt CA glue into them and cross our fingers, or do we recommend a new > purchase or a rebuild? The bandaid approach, I think, hurts everyone. The > later recommendation has obvious benefits for our industry, at least in my > mind. > > What do you think? > > Warmest Regards, > > John Piesik, RPT > Piesik's Piano Service > Oceanside, CA > (760) 726-4665 > jpiesik@arinc.com > > P.S. As I'm not subscribed, please copy me in your response: > jpiesik@arinc.com
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