Dear List, Last month I requested info on CA glue for loose tuning pins. It's only fair that I report the results, especially to those who thoughtfully responded. And the results are: it worked, and it didn't work. It appears that, in my opinion, CA glue can pull you out of a "slippy" situation, sometimes. A couple of the pins I tried it on were so loose that the CA glue was not effective. Thus, I muted those strings that wouldn't tune, got my client through her Christmas party, and recommended that the next step is a replacement or rebuild. Now, following are some comments, my opinions, of course, regarding this matter: When a piano is in need of CA glue on more than a few tuning pins, it's in need of a lot more than just CA glue. I would not recommed CA gluing or doping an entire pinblock - I shudder at the thought - although, I know some folks do, and that's fine for them. I've learned that there are many ways to skin a cat in this business, but, to me, some cats are best left alone. (In order to buy a little more time in an emergency, on a few pins at best, then, CA glue may be the ticket. And, there are other ways to solve a loose tuning pin problem, too!) But, let's face it, doping an entire pinblock is a bandaid fix. It's a funny thing that in the last month I've encountered two more pianos (grands) that are not holding tension due to loose pins. I admit I CA glued two pins on a Yamaha gray-market piano to "buy some more time", but the other was just too far gone. In these cases, I recommended replacement or have them rebuilt (preferably with new PBs). It's apparent that I'm running into increasingly more pianos with "loose pin" troubles (are you?). I don't think that this is some kind of coincidence, either, and here's why. Many pianos were sold to/for boomers during the 50s, 60s and 70s. The condition of these pianos, coming from the historical height of US piano sales, due to the pianos ages, is now starting to deteriorate (the pianos are now over 30 years old). I am not a rebuilder, but, I would bet dollars to donuts that the piano rebuilding business is going to see a flurry of new work in the very near future - if it hasn't already begun. And piano sales will continue to increase with even more vigor. (I would someday like to have a shop and become a rebuilder; it's very rewarding work. And, there are not enough good rebuilders - there seems to be plenty of room for more. The Aerospace industry has a similar problem with more talent leaving or retiring and not enough good talent coming in - but that's a whole other story.) Bandaids only hold for so long, then they fall off. Doping pinblocks is a bandaid. Our clients, and thus the piano industry as a whole, in my opinion, would benefit from either recommending a new piano or a rebuilt piano instead of applying a bandaid to a piano beginning its dying cough. It's up to us to gently guide our clients to the right decision. The fact is, all of us are going to be encountering more and more of these untunable pianos. Do we squirt CA glue into them and cross our fingers, or do we recommend a new purchase or a rebuild? The bandaid approach, I think, hurts everyone. The later recommendation has obvious benefits for our industry, at least in my mind. What do you think? Warmest Regards, John Piesik, RPT Piesik's Piano Service Oceanside, CA (760) 726-4665 jpiesik@arinc.com P.S. As I'm not subscribed, please copy me in your response: jpiesik@arinc.com
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