Lance, My two cents; I agree about Renner parts especially for Steinways. With the kit one can almost always find a combination to use that will be perfect. On the rare occasion a customer will specify New York parts and while I don't feel that the workmanship is up to the standards of Renner a reasonable combo can usually be had. Note that I am speaking of Steinway. AS far as Mason & Hamlin and others I have to use what works. That almost always ends up being Renner on a Mason and whatever on whatever. The key is knowing in advance what will work by hanging samples and experimenting. Now on to the flamesuit portion; Unless specifically requested by the customer I use Steinway hammers on all the Steinways and have even used them on a few Masons in the past. I am aware of the reputation that these hammres have of being difficult but so was my first attempt at tuning! After a few thousand tunings it is so automatic that ... well all that has been covered before. The point being that to MY TASTE I have found no hammer that provides as satisfying a sound as the Steinway hammer on a Steinway. As to the problem of touchweight with these hammers I have found it to be no problem whatsoever. Since it is my habit to order all hammers unbored and unshaped it is relatively easy to taper and shape them to an acceptable weight in combination with the right action parts. As with all piano work the devil is in the details and simply attending to them and not trying to re-invent the wheel one can produce outstanding results! Flamesuit-donned-extra-beer-in-the-cooler! Rod Pierce
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