Radius Ric, Does this hold true for bass strings as well? Or how does one change the inharmonicity of a bass string? On the level Joe Goss ----- Original Message ----- From: Richard Moody <remoody@midstatesd.net> To: <pianotech@ptg.org> Sent: Sunday, February 13, 2000 7:28 AM Subject: termination and inharmonicity ? > > > ---------- > > From: Richard Brekne > > > > > The sharper and thiner the front termination point the lower the > inharmonicity, > > and the rounder and wider the termination point the more. This > due to the fact > > that the thin and sharp allow for more flexing about the > termination point, with > > more bending attributed to the wide and round... > > As long as the wire wasn't yanked up to "level" it, thereby > destroying the elastic curve around the "termination point". Easy > to "imagine" the inharmonicity being screwed up if that happened. > So whether it (wire) "flexes" more on "the thin and > sharp",(termination) or "bends" more with the "wide and round" > I don't see how this affects inharmonicity. Experiments could be > done. > So far I haven't seen inharmonicity formulas that consider > termination > radius. ---ric > >
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