Hi Ed or Dear Mr Foote, Agreed. The una corda method would work on most pianos but not the new Yamahas. >From what I have read (on list ?) the new method for regulating the una corda is to still have the hammer strike three strings, but a softer part of the hammer. All this to stop the sympathetic string from vibrating sideways and buzzing on dampers or something like that. But what about the pianist and the different sound you get with the third string ringing in sympathy as against being struck. Regards Tony Caught ICPTG Australia caute@optusnet.com.au PS Me ? I just delete delete delete. The list will settle down again when the newbies get tired of it. > > On heavy pitch raises, I earlier posted my procedure of dropping the mute > between notes and using the una corda to isolate the middle string for > tuning, then roughly bringing up the other two. I have altered this to take > advantage of the SAT's ability to listen to two strings at once. > The SAT can show you a string at pitch while its unison is 15 cents below. > Just play two strings of the unison together and pull one up to pitch. The > SAT will indicate the proper pitch with the lights stopping their rotation as > they blink with the speed of the lower pitch. You can see both strings' > signal in the pattern. This speeds things up quite a bit. Others? > Regards, > Ed Foote RPT > >
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