Hi, I wonder if some might consider this thread off-topic, too! I, for one appreciate the opportunity to dig into the instrument I mentioned earlier purported to have been built in 1805, and on which recommendation I'd wrangled without further investigation. It's not a candidate for restoration, at either age, due poor condition and apparently a large number of existing examples (plus it's not mine). I might also mention these are barely related to their enormous, overstrung American cousins from after 1860 (hmm, of which I have _several_ examples as well). Dates given are from Colt and Wainwright; Harding gives prices in 1815 - 18£ 3s for a square with a double action, and 26£ for an elegant square. No. 25496 (painted near tuning pins, behind the treble nut - 1820), pencilled inside of the lowest key, "10/26/20". F,-c'''', "additional keys" (1793 until about 1825) starting at c#''', "additional" tuning pins along the right side. Measures 1700mm x 628mm; receptacles for six legs, two drawers with lion's head pulls; Mahogany veneer over Pine and Mahogany, with Boxwood and brass banding (including a decoratively formed molding - by 1814). Fretted nameboard, inlaid with Sycamore Maple, and which reads "John Broadwood & Sons; Makers to His Majesty & the Princess; Great Pulteny Street Golden Square; London" (1808-1820); fretwork also in the rear corner of the soundboard (confined to the right side of the case). Single bridge, wooden nut (both Beech - straight strung); single, near-vertical (front) bridge pins, close-wound bass strings, double strung, wooden hitch-plank (probably before 1822). Laminated Pine bottom board. Double action (Lime and Mahogany - 1780s onwards, optional until early 1800s), leather hammers (3 layers, white wash leather outer - tenor sample), "front checks" on jacks (no back check - before 1823), dolly overdamper moldings, cloth dampers (F,-b'', addl. keys undamped), forte mechanism (1783 on). Legs, pedal hanger, lid, numerous hammers missing, signs of slight modification and crude repairs. Clark
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