Hello Ed! You were mentioning Charles Ives,and Young. I just love Charles Ives... Have you heard the quarter-tone pieces for two pianos he wrote?? I can really recommand it. For me, it is the most relaxing for my ears after a day struggeling with tuning equal temperament. greeetings, Linda Stråhle SPTF Malmoe ,Sweden ----- Original Message ----- From: <A440A@AOL.COM> To: <pianotech@ptg.org> Sent: Wednesday, August 16, 2000 9:23 PM Subject: Re: Question regarding Well Temp. Tuning > Larry writes: > << Do modern composers chose to compose in ET, or if > they want to compose in one of the HTs do they specify which one? >> > > Greetings, > As yet, it appears that composers of today are unaware of anything > besides what they have been brought up in. Lamonte Young did produce "The > Well Tuned Piano", but that is a very rare exception. The harmonic tangents > represented by others, (Ives, Partch, etc.) have been admirable, but little > noticed. > This will change, as tonality never really went away. The return to > tonally centered tuning schemes is happening, now, and I happily assume that > the music of the 21st century will occur in a variety of tunings. Hope so, > since no one tuning does everything well. > Regards, > Ed Foote RPT > > P.S. today, the homeowner with the Steinway D in his living room asked me to > go farther back than the Victorian he had grown used to. I tuned his piano > in a Young, explaining that there were even heavier gradations available, but > the balance on the Young was regarded as perfect. As soon as he played it, > he said, "I love this, can you come back tomorrow and go even farther back?!!! > I told him to explore the one he had until the weather changed, then we > go meet Mr. Kirnberger. >
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