>Sorry for the delay in my post here - been out of town for a couple days. >Just had to put my 2 cents in though, as my jaw still drops when I think of >the following: I bought a NEW Steinway 1098 several years ago and upon >checking out the shape of the soundboard found it to have a REVERSE crown to >the tune of over 1/4-inch. Piano didn't sound bad. I really started to get >intrigued about pianos when I observed that the pinblock was pulling away >from the back frame! This problematic piano is what first got me interested >in piano technology. > >Terry Farrell Hi Terry, It's not at all unusual with a lot of different brands of all ages to find soundboards in that condition. My policy is generally to leave it alone if the owner doesn't have complaints with the sound, regardless of how I think it sounds. Sometimes they really don't sound bad at all. The thing that always disturbed me about this sort of thing is that often enough, the sound will get worse and worse until the customer does notice it, usually two years after the warranty expires, and will want to know why they weren't notified about it. They won't ask me that if they don't know that I knew, but I did know and didn't tell them. Conversely, when the customer notices the sound early, and it's determined to be caused by the collapsed soundboard, I'm suddenly in a no pay, no win war with the manufacturer about what the problem really is. Only one manufacturer has ever believed me when I described a soundboard problem, the rest all wanted it to be something easier to fix. After the parade of manufacturer arranged techs who tune, voice, regulate, buff and exorcize first the piano, then the owner, and the dust finally settles, the sound problems are still there. I am naturally the bad guy then, since I initially diagnosed the problem ( incorrectly, of course - it just CAN'T be the SOUNDBOARD!) and I declined to somehow make it go away for them quickly and cheaply, and thus cost them a lot of money trying to patch up the problem I caused. So what does a tech do in these cases? If I don't mention problems to the customer, than I'm not doing them the service I feel they have coming for entrusting their instrument to me in the first place. If I do mention this type of problem, I'll spend all my time battling manufacturers for free and starve to death. I can offer to battle the manufacturer at an appropriate rate of pay from the customer, but I've tried that and they universally feel that they shouldn't have to pay someone to make their warranty good. I agree. Another option would be for me to be one, or all of the guys in the parade who tune, voice, etc, and soak the manufacturer for as much money as I can get out of them going through the motions before I, reluctantly, decide that it must be the soundboard after all. This seems to be the most popular route, but I just can't do it when I know what the problem is going in and could save everyone a lot of time and money if only... So that's a fairly accurate, if distasteful outline of your options with your piano. You can keep playing it, enjoy it, and hope for the best. It might actually never get to be a problem for you. Or you can alert the manufacturer, or dealer, and start the show. It might not be a bad idea to alert the dealer anyway, pre-conditioning him to the idea that you might have a warranty claim coming up some time before it expires - or not. Has anybody else got any suggestions for these situations? Hopefully one where the problem gets fixed. Ron N
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