Thanks Antares and Brian, I kind of had a hunch at the time of my muting that this might not be such a great idea. However, I settled on letting my ears lead the way and on the Young Chang I liked the "cleaner" sound. Maybe the customer won't like it and in that case I 'll retrieve my strip mute. She doesn't like a bright sound anyway, so she might be overly joyed about the change. This is a church instrument. On the S&S M it didn't make a noticable improvement to my ears to warrant muting that front duplex. Doug Mahard ----- Original Message ----- From: antares <antares@EURONET.NL> To: <pianotech@ptg.org> Sent: Saturday, April 15, 2000 6:00 AM Subject: Re: Front duplex noise > Hi Doug, > in my humble experience it might be wrong to mute the capo, as it was > designed especially to 'give' sound instead of 'killing' it by putting in > the wedges or strips. > The capo section makes the tone more rich, but also more complex, just like > the duplex system (or should I say 'complex'?) > > As far as I understand the 'buzz' is created by a rattling of the string > and/or an energy problem caused by an uneven contact between the hammerhead > and the unison. > This is an old problem and one should be able to solve it (temporarily) by > carefully fitting the hammer to the strings (either by moving the strings up > or down, or filing), tuning, and then voicing. At least that is how I have > learned to get rid of this buzzzzzzzzzzzzzzzzzzz > > Antares > > > > > From: "Doug Mahard" <nlm@csu.cted.net> > > Reply-To: pianotech@ptg.org > > Date: Fri, 14 Apr 2000 22:23:30 -0400 > > To: <pianotech@ptg.org> > > Subject: Front duplex noise > > > > My weekend for questions I guess. > > > > First appointment today was a 1986 Young Chang 7' grand. Noticed a "tiny" > > sound in the capo bar area and when I put my finger on the strings in the > > front of the capo bar the noise went away or was greatly reduced. I cut up > > a new mute strip I had and wedge it under and against the front underside of > > the capo bar effectively cleaning up the sound of that area. > > > > Next appoinment was a 1916 S&S M same thing but not as bad. Didn't do > > anything here. > > > > What causes this and would it be more effective to braid some cloth through > > the strings rather then the muting technique describe above? > > > > > > Doug Mahard > > > > PS Did anyone hear the NPR show "What Du Ya Know" last week with Michael > > Feldman. The young kid playing jazz guitar was amazing. Took John Tulane > > and his band to a whole other level. > > > > > >
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