Tension and inharmonicity in the steel wire sections are predetermined by speaking length and bridge curve Only way to change this is to relocate the bridge or relocate the plate. In most cases you go with what's there and try to bring the bottom middle section and the bass sections into some semblance to the middle and treble. Smaller pianos are limited by the hook at the bottom of the treble bridge so often many wound strings need to be substituted there. Too much or too little inharmonicity is far more evident in the bass than other sections. I personally prefer to go with the larger cores and smaller wraps than the other way around. The rest is common sense, watch your overall tension sometimes there is nothing that can improve a particularly poor scale so don't try to make a purse out of a piece of s(junk). If the speaking lengths get too long too fast the only solution is to replace the entire treble bridge but that is often not practical because of plate / bridge / rib and other restraints. So restrain yourself to get the best possible out of what you have. One little rule of thumb, the smaller the scale the shorter the unwrapped ends need to be. Not always true but sometimes it helps. The best thing you can do is get the software and experiment. I have a strong preference to follow inharmonicity as closely as possible and let tension go where it will, BUT not to allow it to go wild. Find the best solution for that one piano. It takes some time but the help files of the program can be very informative. Experiment, that is the way we all learn. Newton
This PTG archive page provided courtesy of Moy Piano Service, LLC