Brian, Mark; There are many, many, varied opinions about the plate flange/pin block fit :-) These range from "don't worry about it" to "turn the piano over and fill the flange /block joint with epoxy". They, the opinions, can't 'all' be right can they ? As a matter of pride in my work I strive to make a close block/flange fit. I worry 'more' about side to side, and front to back, taper and solid/close pinweb contact with the top of the block, so that the plate does not seem to move when screws are installed. I have no hesitancy in saying "that's close enough" when I realize that I am being anal retentive on the flange fit :-) Something that does, in my opinion, add to the stability of an instrument, if not to the sound also, is gluing 'any' pinblock to the stretcher. (of course this does not apply to those instruments where the stretcher is designed to be removed for service :-) The extra time and trouble to do this has always been rewarded with improved stability and tonal quality. No empirical evidence, other than my opinion though and one set of measurements I took last year on a before and after basis on a M&H, which I posted at the time. The increases were very noticable and worthwhile. The original question that started this particular thread was about a C3 in a church wasn't it?....rather than question the flange fit as being the instability culprit I would look to environmental conditions as being the driving factor, DC system notwithstanding,.....but I could be off base......however, as Mr. Harvey alluded to, there are an awful lot of "poorly flange fitted" C3's in service with no instability problems. My opinion. Jim Bryant (FL)
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