Hi Orlando, I've been playing with some of the pitch raise suggestions especially since this thread came up, and I'll let you in on what seems to work out for me. I usually tune a pretty elaborate temperment, but for the 'quickie pitch raise', I'll use a very simple temperment and not even bother to do the checks and such. Just put it in the ball park. It won't stay there anyway! (Actually, after you do a few of these, you may be surprised at just how close your 'quickie' temperment is. After you've heard some of those intervals over and over and over, they start to become a little more automatic in your being able to just 'hear' them and know they're close. And another advantage of doing it quickly is that the strings won't have time to change as much from temperment note to temperment note as you tune them. (You'll likely have a better temperment by going fast than by going slow. Boy, that goes against the grain doesn't it???) If you haven't tried it, try doing as least some of your unisons (the ones in the middle are the easiest for me) without a mute at all. It sounds horrible, but if you listen carefully, you can 'pick out' the string you already tuned as well as the string you're tuning and ignore that last string which is way off from where you're tuning. Try it. You'll get better at it as you persist. Just some misc. ramblings. Have a good day. Brian Trout Quarryville, Pa P.S. It'll probably take you more than 5 minutes for the full tuning. You should count on 10 to 15 minutes at least till you get the hang of it. It's like anything else, you'll get better as you Do it! Orlando Fiol wrote: > Do you actually set a temperament at any point during the pitch raise? It > sounds like you woulnd't have time. I'm also curious about whether or not > you use rubber mutes during the raise. > > Orlando
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