Hi Danny, I just was asked to evaluate one of these close to Sherbrooke. Is there any way I could get a scan of an action sketch and regulation procedure for this particular action. Also, my #2 tuning tip was way too big for the tuning pins on this piano. I couldn't even test the torque. Are these pins specials? They didn't seem to be tapered... ---------- >From: "Danny BODDIN" <danny.boddin@planetinternet.be> >To: <pianotech@ptg.org> >Subject: Re: Pleyel anyone >Date: Jeud 26 août 1999 17:09 > > Hi, > this kind of old grand Pleyels are commen here in Belgium, just restrung one > 2.20cm °1910 grand which belongs to the French ambassy here in Brussels, the > action can be regulated perfectly, the french stopped this type of action in > 1936. Uprights have also single centerpins. This pianos have a very nice > warm sound with power in the low diskant, > people love them here and they are valuable. > I asked kevin Gouldmann from Danmark to make me a new scale for this piano, > he uses turbo mensuration Peters Tholey software. Following scale was used: > 2X13.5 5X14 11X14.5 and very strange going to 3X15 and back to 6X14.5? > (any comments on this, we had to do some intonation on the 3X15, kevin told > me 14.5 was also ok but he prefered to 3X15 on the figures I gave him > mesuring the speakinglenghts on this strings) anyway: going on with 4X15 > 3X15.5 5X16 4X16.5 4X17 9X17.5 > 2X18 2X18.5 1X19 1X19.5 1X20.5 1X21 seems that the 17.5 on that > part is low in tension??? : The piano sounds beautifull round and warm, but > not much powervolume, but thats what Kevin suggested in the first place, so > he know how to make a scale,his basestrings sound good : I'm satisfied with > his work. > > DANNY BODDIN PIANOSERVICE > Loddershoekstraat 4 > B -1741TERNAT > BELGIUM > ----- Original Message ----- > From: Ken Jankura <kenrpt@mail.cvn.net> > To: <pianotech@ptg.org> > Sent: donderdag 26 augustus 1999 18:18 > Subject: Pleyel anyone > > >> List, >> I tuned a 1923 Pleyel grand today with a weird (to me) action. I love >> seeing something new. Stuff like full sostenutos on old uprights (Weber), >> or oddball sostenutos on grands (Henry F. Miller), or unusual knuckles >> (Brambach ;-}) really make my day (one way or another). The client spoke >> limited English, his wife almost none. I think he bought it new in his >> native France. All the hammer shanks were held by a single center pin > which >> ran the length of a brass section. Regular hammer shanks inserted into an >> odd-shaped butt, with a non adjustable (I think) T-shaped drop 'screw'. A >> rather large coil spring connected the jack and rep lever. A large strip >> of capstan cloth kind of free floated between the wip and the brass > capsan. >> No glide bolts. Individually tied strings. I was just about beside myself >> with excitement. He wants it fixed for his grandson (letoff had settled at >> about 7/8th inch :-) ). I mimed to him that I should have no problem >> regulating it even though it seems a little odd at first glance. A 75 ct. >> pitch raise made that old thing really come alive. The sound was rather >> warm and sweet. I don't remember if this was one of the 'vintage' action >> types on display in KC. If anyone wants to share info or tips with me or >> the list, I'd be much obliged. >> Ken Jankura >> Newburg, PA >> >> >> > > >
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