All those other folks have the right of it. You have to the action ready to regulate before you regulate. I set the dip on several keys (usually section ends) to a known dip block in the piano then take key heights. At the bench I shim the key frame until I get the same dip as I had in the piano. I then mark a piece of tape on the bench so I can exactly relocate the action. I have an adjustable regulation rack that allows me to set the string height for each section. I place masking tape on the racks and mark the center string of each note (right string on bichords). This rack is located with marked masking tape on the bench. I can now disassemble the action for all the work, filing hammers, cleaning, etc., etc., ad nosium and be able to space hammers, level keys, dip, etc. then I can retrun the action to the piano and usually have to redo the letoff and the dip, just to be sure. I also do a lot of regulation, start to finish, at the piano. I only transport actions if I am replacing key bushings, hammers, or such. It is easier to transport myself and my tools than the action and have to redo some work, which I HATE to do. Think this through carefully next time and you can save yourself a lot of grief and time because you will know what to expect. Newton
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