When I visited Yamaha and got the skinny on the V-pro plates they seem to say, as did Del, that it mattered little in the tone. It was the fact that they would not have any failure rate and that they were perfect every time. Same strength with slightly less mass. The finishing process could be immediate rather than spending the two or three days of grinding and sanding some companies spend. This is one area that was money well spent. Yamaha does not make this type plate for the concert grand because they do not make enough to make it cost effective to make a mold and a large casting area for it. I have been in the molten iron area during pouring and it is quite awesome. The cast iron cools perfectly uniform as to place no air pockets and no stress areas due to uneven cooling. A highly superior process. I have heard that sometimes as many as more than 50% of other companies plates have to be recast due to imperfections. How is the density different? Richard, if they are both cast iron how can one be more dense? Ed Tomlinson << Different factories have different philosophies in this regard. In fact I am not to fond of the density resulting in the Yamaha Plate. This affects tone and probably plays into why you may be more happy with the Petrof sound then the Yamaha. That being said, the Yamaha plate is far superior in many other regards. Mostly, again as I understand it, Yamaha saves very much time with the process and create a very uniform plate. The Germans refuse to sacrifice the acoustic contribution the older sand cast process results in, and go to greater efforts to assure the same level of quality otherwise. >>
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