It is a shock to hear of Sheldon Smith passing from us. I had heard much more about him, than I knew him personally. I met him only twice, both times at his shop in Berkeley Ca. I can't remember why I was there the first time execpt that I think I flat out invited myself over. He had a top notch reputation in the San Francisco Bay Area. I was in my fifth or sixth year and the the slightest pretext to phone him came up, and sure enough, I was welcome to stop by. A really nice person, seemed only 10 years older than me. Struck me as the saying goes, "calm, cool, and collected." The second time was rather serious. I broke a bass string on a C7 that was to be used for a show that evening. Fortunatly Sheldon happened to be in his shop on a Saturday afternoon. I needed to tie the string, (F1) but I didn't have the right size wire for the leader, and ... I had forgotten how to tie. He had the right size and could show me the knot. What a relief. When I got there I was still distraught over breaking the string in the first place. He was very consoling. "You didn't break the string, " he said, "It broke when you let it down" (I was letting it down so I could twist it because it was buzzing.) Even when I confessed I thought I let it down too fast he was adamant it was ready to break no matter what. That certainly eased my anxiety. He tutored me for a half hour practicing tying piano wire. He even gave me a pre-formed loop which worked perfectly. I owed him big time so I offered to do something like clean up the shop or chip a couple of pianos. He said with a smile, "Thanks I might call you in a couple of weeks." Sure enough about a week later he called and asked if I wanted to tune at Zellerbach, UC Berkeley's concert hall. "Bill them your fee and they will pay you". Afterwards when the stage manager asked me if I was available because "Sheldon is so hard to get" I got worried I might have "cut his fee", and also Sheldon had the UC Berkeley contract. So next day I phoned him and he said to take the calls if I wanted, they were extra to the contract, and he was happy to spread it around. As one technician I am thankful. From what I have heard there are many many others, and thus our memories are with those who have gone before us..... Richard Moody > > Last Friday, Sheldon Smith died suddenly and unexpectedly at his > Berkeley, CA, home. > > For those who may not have known of him, Sheldon was, for over > 25 years, the concert technician for the San Francisco Symphony, > and was still active at Herz and Zellerbach Halls at CAL, as well > as maintaining a very active rebuilding business at the time of > his death. His work may be heard on virtually any recording made > by the SFO between 1970 and 1995. > > His candle burned, perhaps, too brightly; and he constantly fought > with the inner demons which have driven so many into divorce or, > out of the profession. A brilliant technician, he was also a gifted > teacher, whose classes were always jammed to overflowing and well > received. Even when one disagreed with his conclusions, it was > clear that great energy and intelligence had gone into arriving at > them, and that they were not dogmatically cast in concrete. > > The shops, first in SF and then in Berkeley, have long been centers > of very high quality, innovative work. He was capable of craftsmanship > second to none. Constantly experimenting, he was designing and making > his own soundboards (including some highly successful laminated ones), > as well as things like crossband laminated ribs long before most others > on the West Coast were even doing any successful shimming. > > For some, Sheldon's passing is a footnote. For some others, it is > the shattering loss of one of the few true remaining original > geniuses of the profession. (Think of Leonard Jared, or Chas. Frederick > Stein, and a handful of others.) > > A Wake, which is, after all, the only truly appropriate way to celebrate > Sheldon, is planned for later in August. > > Best to all. > > Horace > >
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