I forgot to mention that the "replaced" veneer face on top of the block was damaged beyond salvage. Yes, I faced it with a walnut veneere, because that is what I had enough of without getting into further expence since I was doing more than contracted for with the sound board & case. So it wasn't Birdseye Maple, the plate wasn't refinished either. This is a piano in a summer cottage on bluff looking over the Atlantic Ocean and Cape Cod Bay, used for accompianing a singer. Tuneablity was the main goal. So I really had no pattern to go from. I did however trace the pin holes before dreadging the block. It was a rough estimate for a pattern stricken from string cuts in the wooden counter bearing bases and agraffes. It took some time, and since it was my first attempt at this, I took extra time. Making money is for the bigger shops. It came out fine and I have no second thoughts about the effectiveness of epoxy. Thanks for reminding me, Jon Page At 03:07 PM 4/24/99 -0400, you wrote: >I have been concerned about replacing whole sections of the open pinblock >with new pinblock stock. Years ago there were some problems with the sections >lifting out. I think that is because epoxy then was not very good for >woodworking. But I am still careful. This is why if I plug, the blocks >integrity must be first rate. I feel that the extra gluing surface plugs >give me help in preventing this problem. In addition, after I plug an open >face block I put on new veneer and locate the holes by taking a paper >pattern. I realize that this option may not have been open to you. If in >the future you need to remove one of those mortised open face blocks just >remember that the veneer on the of the case comes off with heat and patience. > Jon Page Harwich Port, Cape Cod, Mass. (jpage@capecod.net) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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