Just thought I'd ask for some input about a voicing technique I ran into at the Oslo convention of the Scandanavian associations. This applies to really hard hammers (un-needled) only. One mixes up 9 parts 96% technical spirits with 1 part water. This is applied to the shoulders so that it soaks in about three quarters of the way to the underfelt /core and so that it almost comes to-gether over the crown. The hammers rest a day, then are reshaped. Any evening out needed afterwards is done by light needling close to the striking point. The idea is that trying to needle over hard hammers causes so much damage to the felt in order to have any effect that the hammer just goes dead, if not at once then in a very short time. This approach loosens the inner tension dependent on how much water you mix in, and how much you apply while not tearing a single fiber. Thus the resiliency of the hammer is maintained of not right out enhanced. I have tried this a couple times and was outright shocked by the results. So I decided to try it on a Yammaha C3 that had not been needled much through its 15 year life and had gotten really packed and glassy sounding. (The hammers were pretty worn and needed shaping anyways, and I figured the worst that could happen was that I'd have to pay for a new set of hammers and install them myself, so what the heck) After reshaping and regulation I couldnt believe I was listening to a Yamaha. The dynamic range was way over any Yamaha I have ever heard. Soft playing was solid and round and full, but soft. As you started to stike heavier blows it got increasingly brighter while maintaining the same feeling of power / solidness. The customer droped his jaw and immediatly said "Its like the piano has become more mellow, yet more powerfull at the same time. "Exactly" I thought to myself. Its been two months now and It has maintained this charachter. The other two such jobs I did have also held up really well. Any one with comments, experience with this, negatives and positives ??
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