Then if the 'line of centers' (my usage) is correct, then I would go with a dense-type action cloth in the notch and leather to cover rather than replace the whole shootin' match with felt. Avoid the sanding procedure, same time frame, less fudging, no jigs. Restoration is part and parcel of the game. Where definite improvements can be made, they should. But if by restoring the original components the 'peroidness' is carried on. Steven and Anne can attest to this. There's a difference between rebuilding and restoring. I suppose one could restore with improvements, but one must be extremely careful for period instruments. Sometimes improving is detrimental. Now that that's squared away, what's the winning Powerball Number for next week? Jon Page At 06:41 PM 4/18/99 -0500, you wrote: > >> >>So I wouldn't sand the surface flush to avoid underfelt. Afterall, it will not >>introduce that much absorbsion for the style of playing which will be done >>on this piano. Wait, that was leather over felt, not a notch for the underfelt >>. . . correct? >> >>But you get the picture :-) >> >>Jon Page >> > > >Hi Jon, >The underfelt is in a notch, covered over the top with leather. Total >thickness of underfelt and leather is very close to the thickness of the >single layer of action cloth I could replace them with, hence the need for >sanding flush if I go that way. Yes, I'll check the thickness in the action >before I commit. I'm glad someone's keeping an eye on me. %-) > >Thanks, > Ron > Jon Page Harwich Port, Cape Cod, Mass. (jpage@capecod.net) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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