PTG Technical Exam action models

Billbrpt@AOL.COM Billbrpt@AOL.COM
Sun, 11 Apr 1999 12:52:32 EDT


In a message dated 4/11/99 8:46:00 AM Central Daylight Time, 
Piano@forte.airtime.co.uk writes:

<< Why do use models? Are they one octave models.  Why not use a  piano in
 the test.
 
 Barrie,  >>

Good question, Barrie.  There has been some discussion of this.  At the 
International Association of Piano Builders and Technicians (IAPBT) 
conference that followed the PTG Annual Convention in July 1995 in 
Albuquerque, New Mexico, it was noted that the Japan Association of Piano 
Technicians had such a procedure.

They also required a person to perform a 20 cent pitch raise before going on 
to the fine tuning exam.  One problem with their tuning exam, however was the 
lack of any written standard.  Judging was always done by a small jury of 
"elders", others who were recognized as seasoned professionals.  If they 
thought the tuning was acceptable, the applicant was admitted.

Clearly, PTG has the best tuning exam procedure known to the world at this 
time even though it is not perfect and may never be.  The Japanese idea of a 
pitch raise tuning has merit and in a way, it can be implemented at the 
Chapter level through the screening process.  Informally, the applicant 
demonstrates his/her skills and if they seem strong enough to take on the 
actual exam, the recommendation is made.

In the Technical Exam, a single key, wippen and hammer assembly vertical 
action model is used but the grand action model has three units.  This 
provides for some minimal demonstration of evenness in such things as 
repetition spring tension regulation, key level, dip and aftertouch.

The immediate question arises however of how well using any model reflects a 
person's actual ability to handle a real and whole piano.  The best that can 
be done is that the applicant's every detail is scrutinized whereas in a real 
piano, absolute perfection in regulation might be as difficult to attain as 
the same perfection in tuning:  it is somewhat elusive.

Many applicants do not pass on their first attempt even though most of them 
are professional piano technicians.  They find out where their weaknesses 
are, study and practice those areas and attempt to pass the previously failed 
portion at a later date.  There is a limit too on how long the process can 
take.

For many, passing the PTG RPT Exams is a major hurdle and accomplishment.  
Anytime an applicant completes the process at a Convention or Regional 
Seminar, an announcement of "New RPT's" is made at the banquet.  The new 
RPT's rise to be applauded and recognized.  At the Convention, new RPT's who 
have gained that status within the past year are given a special colored 
ribbon that identifies them.  They are recognized and greeted by their 
colleagues everywhere they go for their accomplishment.

Still, it is realized that the passing of these exams only represents an 
achievement of Minimum Professional Standards.  There will and should be 
whole new horizons for that person to look forward to and cross in the coming 
years.  This puts the statements I have seen many make about "just not 
bothering to take those exams, I know I could pass" into a very clear 
perspective.  There is another group for them where that is considered the 
norm.

Bill Bremmer RPT
Madison, Wisconsin


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