Newton Hunt wrote: > > ...I think this is because you can tune one string, say to an SAT, tune the > next by ear, check with SAT and it is flat. Tune to the SAT and compare > unison and it is out. I have yet to come to an understanding of this, I > just know it is so. Weird! > My guess is that the ear listens to the dominant coincident partials whereas the SAT might be listening to a different set of partials. Then, if there are any inharmonicity differences between the strings of a unison, the ear will want the fundamentals tuned slightly differently for a quiet unison. Makes me think of a model C Steinway with the different speaking lengths in the lower treble section - for an intentional beat in every unison? Tom -- Thomas A. Cole, RPT Santa Cruz, CA mailto:tcole@cruzio.com
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