Dear list, Thanks for your responses about my experience with a Whitney spinet that was 100 cents flat. The more I think about it the more I realize that I did what should have been done to this piano. It had to be at A-440 because a youngster was starting piano lessons. Picture this: if I were running a test of an automobile and the test required me to go 20% above redline on the tachometer I would do it on an Olds, Chevy, Ford, etc. But I would really hesitate if it were a Yugo no matter how it looked. We use our best judgment. I don't think there is a pat answer to any problem with pianos. This list is a firm example of that. There are so many various opinions on how to do things and that is really what makes it an interesting list. And, let's face it, there is more than one way to do something. Your way may be quicker and easier than my way but both ways can end up with the same result. Ted Simmons Merritt Island, FL>> >Ted: >> > >> >In my opinion, you were dishonest, and cheated the customer. You charged her >> >for the possibility of a problem, which in the end, didn't occur. You mixed >> >apples and oranges. You charged the customer for a bushell of apples, >>and just >> >because she looked at the oranges, you charged her for those also, even >>though >> >she didn't buy any.... >> > >> > >> >Willem Blees >> >St. Louis > > >Ted, I must agree with Willem, although I doubt you intended to cheat >the customer. Sometimes I quote too low and sometimes too high. If I >quoted too high, I'll drop the price and they feel happy. > >A good guide for labor charges is published by Randy Potter. It's based >on the work by Joe Garret. It breaks down just about every task you can >perform on a piano. Just total the hours and multiply by your labor >rate. > >I just quoted an elbow replacement job, but forgot the cost of the >elbows! When I think too fast I don't think at all. >-- > >Frank Cahill >Associate Member >Northern Va
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