Yamaha makes an excellent tool just as you described for easing the balance hole. I can't see any value in tight key pins. David ilvedson, RPT > From: A440A@AOL.COM > Date: Thu, 12 Nov 1998 22:37:22 EST > To: pianotech@ptg.org > Subject: Friction and Balance pins > Reply-to: pianotech@ptg.org > Greetings, > I read with interest Lance's post inre sizing balance rail holes. I would > be fearful to use a drill bit, lest it remove wood. I have been using another > technique that seems to provide durability and ease of use. > After de-bushing, ( with steam, which not only removes the felt but sizes > the hole), I take a spare pin, of the original size, and hammer it out of > round,( about .005-.010") near one end. Then this goes into a pinvise for > use. > Coming in from the top of the key, I press the enlarged portion through > the hole so that the widened portion is in the balance hole with the major > dimension across the key. This eases the key more sideways than front to > back. If it is not enough, a quarter turn, back and forth will usually gain > the clearance needed. > Keys treated this way seem to be less inclined to "pully" after heavy use, > and it is very consistant. If you have a long enough pin, you can leave the > bottom 1/4" round and obviate the need to put it back on the keyframe to test > for clearance. > As a side note, when I was at the Steinway factory for my "factory > training week", J. Pramberger was in charge of production, and the balance > rail holes were extremely tight. I was told this was his idea for increasing > repetition speed! I found that it was not possible to get a really even key > level, and measuring the aftertouch was difficult, since there was a strange > feeling of resistance at the very bottom of the keydip. Anybody else got any > ideas on this?? > Regards, > Ed Foote > > David Ilvedson, RPT Pacifica, CA ilvey@jps.net
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