I agree, and am glad to be in such esteemed company. I have resorted to this on more than one occasion in years past, particularly in the treble of ancient uprights. I found it nesessary to reshape tho' even if that meant going down to the wood. It is important not to have a flat surface behind the leather. It was a good use for that less than fabulous backcheck leather that came in strips. I never sold it as a proper fix, but given the difficulty in finding good upright hammers, and accurate hanging, it was remarkably effective. I recently saw a Knabe grand I had done this to back in the seventies, and was pleased / shocked at how good it sounded. Maybe those old guys weren't as dumb as we thought, eh? Steve >>> "Jim Coleman, Sr." <pianotoo@IMAP2.ASU.EDU> 05/14/98 11:22am >>> Hi James: In the olden days it was quite common to recover the top hammers with leather. Leather can be shaped and it can be hardened with lac or other chemicals to help match the tone of those neighboring hammers with very hard thin felt. To us today, it just looks a little weird, but is practical where the piano does not warrant more complete care. Jim Coleman, Sr. On Thu, 14 May 1998, james turner wrote: > List Friends, > > I have often worked on old uprights where the last few hammers are into > the wood. I have replaced these hammers at times with new ones, but it > is often difficult to voice them to the rest of the old ones. Also, > many people just cannot afford a new set of hammers and the necessary > work to get the old piano up to par. > > When high treble hammers are into the wood, is there any way to use the > felt still on the sides of the hammers to sort of recap the tops? I > have tryed this, but haven't been too sucessful. Does anyone have any > thoughts on this? Thanks. >
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