Del, I agree completely. It's just that impedance is not the property I'm used to using. On mechanical structures in the lab I measure the force and frequency response (transfer function) when understanding a mode shape. I can see the time and frequency domain force input, the resulting acceleration of the measurement point and the internal damping of the structure. After taking multiple measurements, I can visualize the structure response at any frequency in question with modal analysis software (or just the plots for a simple structure). I have never wanted to look at the impedance that I know of but you can teach me.. doug > -----Original Message----- > From: Delwin D Fandrich [SMTP:pianobuilders@olynet.com] > Sent: Tuesday, December 29, 1998 6:54 PM > To: pianotech@ptg.org > Subject: Re: Negative crown > > > > Doug Richards wrote: > > > Ron, > > Very well put. I think we are talking the same language. The only > > difference I have is my dislike for the word "impedance". In my line of > > work, the only people that talk of impedance is them electrical guys > (you > > know, the ones that need scopes to see what they are doing). I am much > more > > comfortable talking about mode shapes, resonant frequencies, dynamic > > coupling and the like and leave the impedance to the EE's. > > > > The reason I replied to your thread in the first place is reflecting on > > previous threads about Killer Octaves. Seems like there should be > someone > > that optimized the impedance so that the Killer Octaves died. Maybe we > > haven't figured out the best way to kill it yet... (or more likely, > another > > manufacturing problem or reliability issue comes up again). > > > > Anyway, thanks for the reply. And YES, we are having fun! > > doug > > --------------------------------------------------------------- > > Ah, but Doug, the idea of mechanical impedance, or wave impedance, is very > important if one is to understand the function of a vibrating body such as > the > piano soundboard. It is a function of the square root of the inertia > times the > springiness of the vibrating system. For a simple and piano specific > explanation of mechanical impedance, might I suggest the chapter on Sound > Production in Pianos in Arthur H Benade's book, "Fundamentals of Musical > Acoustics." > > Regards, > > Del
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