Here's a new, interesting experience. When tuning for "Semiprofessional" concerts perhaps I should always be there till the concert starts??? I tune for a rather good community choral group, that has done some recording, and has a regular concert series. They own a C7 that I rebuilt for them last year. This weekend they have two concerts, tuned the piano on Friday morning, the room was very cold, and the instrument, was bang on A440( I have been tuning it once a month since it was restrung). Cleaned up the tuning, did a little regulation. This morning I get a call to re-tune for tonight's concert, because the piano was "15 cents flat and sounded terrible". They had in 7 brass players who have been playing for two years, grade school 7-8 to play with the choir. The school music teacher tuned them "exactly" to his machine at 440. and when they played with the piano it sounded extremely flat. He assures me the machine was calibrated to 440. He then checked the piano with the machine, it reported the piano 15 cents flat. I've checked my two forks they are both OK. I know I can set pitch, when I passed RPT exam, not only did I have 100% on pitch, the deviation was 0.0-part luck. I've quite a bit of experience tuning for concerts with orchestra, choir etc., and have never had a pitch problem. Seeing as I did not even raise the pitch is is unlikely it slipped. The outdoor temperature during the day dropped radically, and the church did not heat the room. so between the tuning and the tuning and the concert room temp. had dropped allot and was still cold, but in the process of warming up as they "tuned". The cold temp.-hunidity would have sent the low tenor area sharp not flat, and dropped it back down as it warmed up. I spoke with the music teacher, who tells me that his woodwinds at his school are always very flat, but the brass are fine. I suspect his cheap machine is about 15 cents off. will find out today. Question---- In your experience, how far off, how often do you find cheaper machines incorrect as far as defining A440? How much variation have you seen? Have you run into similar situations? If I confirm my suspicions, how do you tell a music teacher tactfully that he has been trying to force his woodwinds 15 cents sharp for several years?. Should we get danger pay for concert tuning mixed amateur groups?? HA HA. Looking forward to your responses Dave Renaud RPT
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