>Thanks: are you saying on "cheap" pianos, this clutter is NOT inherent >to the piano and its design, and so can be eliminated by proper detective >work? > >Leslie Bartlett M. Mus >Houston Chapter PTG >lesbart@juno.com > >On Tue, 11 Mar 1997 20:15:48 -0500 nhunt@jagat.com (Newton Hunt) writes: >>Leslie, >> >>I can think of a few items to pay attention to the next time you tune >>that >>piano. >> >> Hard, bad or too fast dampers >> Open waste end strings >> Hammers need filing and voicing >> Bridges are cracked or loose pins causing false beats. >> Soundboard and ribs loose. (watch them loose ribs, they >>tickle). >> Noise rattling action. >> Strings not rendering easily >> >>Have fun diagnosing. >> >> Newton >> nhunt@jagat.com >> >> Dear Leslie, Having rebuild several "cheap" pianos with superior parts and good dampoer felt I have accomplished substantial improvements on the coniditon of the piano from when it came in. I do believe attention to detail helps improvement considerably. I am not so accomplished that I can conpemsate for poor engineering and bad assembly except from the bridges and up, but many "cheap" pianos have inferior parts and poor assembly that can be improved. I feel that often poor pianos are so because of poor materials and insufficient man hours. A Knabe cannot be made into a Mason & Hamlin, the engineering and materials are not there, but any piano can be improved upom, except a brand new Yamaha out of the box. something can always be done, or tried. If the customer doesn't want to try then it is all a moot point, except when you encounter the piano that they DO want to improve. Newton nhunt@jagat.com
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